Tuesday, 31 October 2017

Print Media - The Big Issue

31/11/17

What is The Big Issue?

The Big Issue is a street newspaper founded by John Bird and Gordon Roddick in September 1991 and published in four continents. It is written by professional journalists and sold by homeless individuals.

The Sun Newspaper is a right wing newspaper, with right wing opinions on immigration and unemployment. This image is an example of a headline from The Sun that suggests their views on immigration is that it is wrong and Britain should be doing something about it, which is the typical right wing view on immigration.


This is an example of a headline from The Sun that suggests that they believe that giving people benefits is wrong, and that they should get a job to pay for themselves. This is evident through the use of the phrase: "Warning: this story will make your blood boil". This view on unemployment and benefits id the typical right wing view on unemployment and benefits.
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The Big Issue is ethically different to the typical newspapers and magazines as it is a charity that aims to help people who are homeless to create a better life for themselves. The money that they make from selling The Big Issue helps them to get them started and gives them a job to get them started in employment. However, some politicians are suggesting that gradually, more and more immigrants are travelling to the UK to become Big Issue vendors, and then claiming tax credits for self employment. The Big Issue's political orientation is left wing.

Task 1

This poster is using a direct mode of address, as the picture of the soldier is directly facing the audience, he is looking straight at the audience and his finger is pointed at the audience. The use of the word 'YOU' is also a direct mode of address because it creates a connection with the audience, and make them believe that the subject of the image is talking to them directly. It also makes the audience feel as though they are wanted, which would encourage them to join the army, which is what the main aim of the poster is. The red colour within the poster stands out, and also gives connotations of anger and passion, but because this is a war propaganda poster, it could insinuate connotations of violence and war. The masthead is the biggest part of the poster, it is at the very top and it is in bold. This immediately captures the attention of the audience and allows them to follow the rest of the poster. The image is at the centre of the composition, making this the main focus of the propaganda poster. The contrast between the black and white, and the red colour makes it stand out and makes the propaganda more effective, as more people are likely to pay attention to this poster. The soldier in the image has a serious face, which could give the poster serious connotations, and could suggest to the audience that the war is being serious. The coverline "Join your country's army!" is slightly smaller than the masthead, but is still in capitals to emphasise it's importance, as this is what the main aim of the poster is. The coverline 'God Save The King' is smaller than the rest of the text but is in bold, and is written using serif font. The use of the serif font gives it a more traditional and formal feel, which could present to the audience that this is a formal matter.

Task 2

The film characters on the front cover of this magazine are using an indirect mode of address, as they are looking away from the audience and into the distance. The superman costume that the character is wearing are the colours of the american flag, which could connote that this character is patriotic and has love for his country. Additionally to this, the way in which the characters are standing could suggest that they are strong and powerful, and could also connote that they are of more significance that other people. The font that they have used in the main coverline 'Man of Steel' is written in sans serif, which gives it a more modern feel. However, it also appears to be made out of 'steel', emphasising the meaning of the image and the film title. It is a formal mode of address due to the fact that the magazine is using a formal approach on the front cover (the grammar is correct and there is no slang) and the way that they are standing denotes formality. The fact that the male character is taller than the female character could suggest that he is of more importance, or that she is a 'damsel in distress' character, who requires protecting and saving within the film. The masthead has been put behind the image to make the sole focus of the magazine cover the characters and the main coverline.

Task 3

Big Issue Objectives:

‘Vendor-centric’ – our charity work is led by the hopes and aspirations of Big Issue vendors
‘Inclusive’ – social and financial inclusion at the heart of our philosophy
‘Non-judgmental’ – we work with anyone who is prepared to engage with self-help.
Through this approach we seek to ensure that our vendors have the following:
  • somewhere meaningful to call home
  • access to a doctor and equality of access to health care opportunities
  • the essential support that is needed to overcome addictions
  • direct help with business skills to maximize independent earnings
  • the crucial personal identification that opens so many doors
  • access to additional financial support and secure saving opportunities
  • the opportunity to re-connect with family members and loved ones.

The Big Issue Foundation seeks to deliver social & financial inclusion by supporting Big Issue vendors in the self-help process of buying & selling the Big Issue Magazine. Our services are ‘vendor centric’ meaning that we favour a holistic approach on a journey to a better future that is led by the vendor.
Social exclusion is a short-hand term for the way that problems such as unemployment, poor skills, poverty, bad housing, living in a high-crime area, bad health & family breakdown can link together to make it tough for people to get what they need to improve their situation.
Our support focuses on cultivating strong working relationships with Big Issue vendors and connects them to services and the vital bespoke support that is needed. We do this by maintaining a wide range of working relationships with local service providers. Please click here for more basic facts about us.
A key part of the way that we work with Big Issue vendors is by identifying and motivating individuals to engage with the services that will help them move forward and deal with their homelessness, health issues and achieve their own goals.
About The Big Issue:
The Big Issue Foundation is a financially independent charity. We believe in a ‘hand up and not a hand out’ and recognise that earning an income is a key step in a person’s journey towards stability and a better life. Achieving something for yourself is 100% more empowering than having it done for you. The Big Issue offers the incentive of earning an income; it means that we engage with a number of individuals who are not seen by other services or projects. We work exclusively with Big Issue vendors, people who are excluded from mainstream society, financially impoverished and disadvantaged in multiple ways. We seek to address the fundamental issues attached to social and financial exclusion through the provision of concrete support to change lives for good.

They operate an open door policy and work with individuals who have made the first step to try and work themselves out of the poverty of their situation. Their charity work focuses on delivering brighter futures, boosting self esteem and helping vendors to reclaim their citizenship. 
Their service teams support vendors to determine their own paths towards a better future and then connects them with local services to achieve it. They provide vendors with bespoke support to help them address the issues that may have contributed to their housing insecurity, or the issues that have arisen as a result. We enable vendors to: open bank accounts, access health services, find accommodation, meet their aspirations and reconnect with families and friends, volunteer, train, learn and start their own enterprises and find paid work.
Task 4
How does the Big Issues beliefs reflect the type of stories covered in the magazine content opposite?
Note: you will need to research around the coverlines, imagery and celebrities
What is the social, cultural and political context linked to the strap line “libraries are so vital” 

Big Issue's beliefs reflect the type of stories covered in the magazine content in many different ways. One of the big issues beliefs is that they should be able to support people to meet their aspirations and to learn, and this is reflected in the 'better literacy, better future' coverline. Recently, however, there have been a number of libraries forced into closure due to 'drastic funding cuts'. libraries had lost £25m in their budgets in just one year. someone who is homeless, a library is a place they are able to access information in the best way possible, as they will not have access to their own computer so may rely solely on the library to find employment or to study to get their life back on track. If libraries are closing, it prevents homeless people being able to study and learn, which stops them from achieving a brighter future for themselves. The Big Issue has launched a campaign called WhyBooksMatter, which is a campaign that emphasises the importance of books for people who might not be able to afford books of their own. They mention that books and libraries are vital for poorer students that do not have access to books of their own. Libraries are also a place of community where people meet and can study together, and it is also a place where children can find quiet outside of the chaos of their own homes if needed.

03/11/17

Underclass: People who are at the bottom of a society having become victims of poverty trap. This class is largely composed of the young unemployed, long-unemployed, chronically-sick, disabled, old, or single-parent (usually the mother) families. It also includes those who are systematically excluded from participation in legitimate economic activities, such as cultural, ethnic, or religious minorities or illegal immigrants. Children of the underclass (specially those from single-parent families) often lack educational qualifications and social and other skills and are, therefore, unable to rise out of it.
Recent media interest in the labelling of the poor such as “chavs” which according to Shildrick and MacDonald (2007) suggest that the poor are undeserving of sympathy, • Hayward and Yar (2006) – the term chav is used as an amusing term of abuse for young poor people.
Representations of the working class 
Newman (2006) argues that there are very few situation comedies, television or drama which focuses on the everyday lives of working class who constitute a significant section of society. Newman argues that when in the media working class are often depicted in a very non positive light dumb buffoons (Homer Simpson) and immature machos (Phil Mitchell),
Butsch (1992) – working class portrayed as flawed individuals (benefit cheats, etc).

Lawler (2005)
• Chav is used as a term of disgust and contempt.
• Argues that the media use the discriminatory and offensive language to vilify what they depict as a peasant underclass symbolised by stereotypical forms of appearance.
• Swale (2006) – usage of the term NEET (Not in Employment Education or Training).
• Newspapers suggest that those from the underclass are responsible for their own poverty.

Born in Surrey in 1979, James Bowen had a rootless childhood in Australia. He detested his stepfather and was bullied at school, sniffed glue, and was diagnosed with ADHD and manic depression. He returned to England in 1997 to live with his half-sister from his father’s previous marriage but her boyfriend did not take kindly to the volatile teenager. Soon he was leading a nomadic existence at various flats and squats around London. When he ran out of floors to sleep on he moved to the streets. It was a desperate decade in which he was robbed by other users and dealers, and beaten by drunks while sleeping rough. James admits his life only changed in 2007 when he found a dishevelled cat curled up in the hallway of his sheltered accommodation while he was a participant on a drug rehabilitation programme. Living hand to mouth on the streets the last thing he needed was a pet. Yet something drew James to the strikingly intelligent cat and he spent the last of his savings taking him to the vet to treat an injury to Bob’s leg. From that day onward the cat would not leave James’ side. Concluding he was a stray, he named him Bob. (Daily Express)




The Big Issue was important for James as it allowed him to make part of his money and get back onto his feet, which he would then have to use to provide money for the cat, which would stop him using the money earned on drugs and alcohol. The Big Issue use James Bowen as it is one of very few success stories that they are able to use to give hope to other Big Issue vendors that they are able to get back onto their feet and off of the streets.

  • For former Big Issue vendor James Bowen that someone was a cat… a cat he named Bob: "The day I met Bob my life changed forever. I was no longer invisible. People not only stopped and bought a copy of The Big Issue from me but often stopped to talk to me," says James.
  • It makes me proud that the book has opened people’s eyes to how The Big Issue works. That selling The Big Issue is an actual job! The work that The Big Issue Foundation does in supporting Big Issue vendors is so vital.”
  • Bob became an attraction and was good for business, whether it was busking or selling The Big Issue.
  • James’s inspiring story of how this unlikely friendship helped him get over his addictions to heroin and methadone is recounted in his book A Street Cat Named Bob. With this book, James has joined an elite club of writers with more than three million copies sold, and the book has been translated into over 35 languages. He has also published a follow-up and a children's book, as well as a Christmas book coming out this year. There is talk of a film, and with the money from his books James has been able to pay off his debts and fly to see his mum in Australia.
Discuss whether in your view the representation of the homeless (social group) is stereotypical or counter stereotypical. Link this to references of how the homeless/unemployed/underclass are portrayed by the mainstream media.
In my view, the representation of the homeless (as a social group) within The Big Issue is counter stereotypical. Usually, newspapers and magazines portray the unemployed or the homeless population as addicts to either drugs or alcohol, lazy, or treat them as invisible within society. The Big Issue, in this particular article, are representing homeless individuals as people who do not get the help and support that they need to stay off the streets, so will end up sleeping rough and turning to drugs in times of need, rather than turning to a support system. The Big Issue listen to homeless people as individuals, as well as treating them as individuals rather than a stereotypical groups. Newspapers such as The Sun and the Daily Mail represent homeless people as stereotypical addicts or as underclass individuals that are all the same, which is typical of right wing press. Within The Big Issue, they refer to homeless people as part of society, rather than excluding them from it.

From the previous powerpoint, use the information on font, text layout, mode of address, mise en scene, etc. to discuss the way the issue of homelessness is mediated. Note: in what way is the magazine design influenced by Japanese pop culture. (intertextual reference)



This particular issue of The Big Issue uses a direct mode of address as 'Bob', the cat in the centre of the magazine cover, is looking directly into the camera, giving the effect that he is directly looking towards the audience. This creates a connection with the audience and also makes Bob the main focus of the cover, insinuating that this particular issue is mainly about Bob. The main coverline text that accompanies the image is "BOB: BIG IN JAPAN", which gives context to the image and gives an insight that the feature article may be about Bob's success in Japan, and how he came to be so successful in Japan. The colours used within this article are saturated, with the uses of neon pinks and blues to capture the attention of the reader. Additionally to this, the saturated colours hint to the audience that the article is a positive one and rather than being about James Bowen's struggles on the street, it is about his and Bob's success both in the UK and internationally. The use of the background being a city in Japan also gives context to the article, and sets in place what the content of the article is going to include. As well as the mode of address being direct, The Big Issue have decided to go with an informal mode of address. This is shown through the use of the pun in the bottom left corner of the magazine, which reads "Look, Bobzilla!" This pun may have been used to fit with the article, and to suggest the popularity of Bob in both the UK and internationally.

  • Sans serif font - modern and less traditional.
  • Main coverline - teases to the audience what article will be about.
  • Simple coverline as people may want to know more, so are required to buy a magazine to find out.
  • Below Big Issue logo - "a hand up not a hand out" - further highlights to buyers that The Big Issue allows vendors to make a living to get them back on their feet and possibly off of the streets. It also promotes to a reader what the main aim of the Big Issue is. For every £2.50 magazine sold, the vendor keeps £2. On a 'good day', a vendor sells 10 copies, giving them maximum of £20 a day.
  • Saturated colours and use of pink - popular in Japanese culture - intertextual reference for people that know about Japanese culture.
Research on rise of homelessness and drug addiction
  • Number of rough sleepers in England rises for sixth successful year - an estimated 4,134 people were forced to sleep outside in 2016, increase of 16% in a year.
  • Number of homeless in Britain expected to double by 2041 - charity research predicts that 575,000 people in Britain will have no roof over their heads unless government takes early action.
  • The East of England has seen the biggest percentage increase in rough sleeping since last year (44%). This is followed by the North West (42%), the  East  Midlands (23%) and the North East (18%), all of which have seen increases in rough sleeping above the national average.  
  • The biggest rise will be for those placed by a council in unsuitable accommodation, such as bed and breakfasts, with the total expected to rise from 19,300 to 117,500.
  • There are social causes of homelessness, such as a lack of affordable housing, poverty and unemployment; and life events which cause individuals to become homeless. People can become homeless when they leave prison, care or the army with no home to go to. Many homeless women have escaped a violent relationship. Many people become homeless because they can no longer afford the rent. And for many, life events like a relationship breaking down, losing a job, mental or physical health problems, or substance misuse can be the trigger. Being homeless can in turn make many of these problems even harder to resolve.
  • Around 1 in 12 (8.4%) of adults aged 16 to 59 had taken a drug in the last year. This is around 2.7 million people. This level of drug use is similar to the 2014/15 survey (8.6%), but significantly lower than a decade ago (10.5% in the 2005/06 survey)
  • Over one-third (35.0%) of adults aged 16 to 59 had taken drugs at some point during their lifetime.

Radio 1 Essay Homework

From the 02/10/17 Big Breakfast Show, discuss how program producers adapt the content of the Big Breakfast Show to meet the needs of its audience(s) whilst satisfying it's remit to inform, entertain and educate. You will as part of the essay:


  • Discuss the strategies taken by Radio 1 to maintain and grow audience levels with the target audience.
  • Reflect on the difference between commercial radio and Public Service Broadcasting.

When producing a Public Service Broadcast, program producers will be required to adapt their content of the broadcast to meet the needs of their audience, whilst satisfying their remit. Radio 1's remit is to inform, entertain and educate, so it's breakfast show has to reflect this, and it has to be able to inform, educate and entertain its audience. In order to appeal to a wider audience, they have to ensure that they are taking into account that their listeners will be from a variety of different ethnicities, ages, regions and socio-economic groups.

A public service broadcast is more likely to reach a wider audience, as it is a service that is ultimately paid for by the listeners. There will be male and female listeners, listeners of both higher and lower classes, listeners that are from the UK and listeners from various different countries and cultures, and from both higher and lower classes. The Radio 1 Breakfast Show ensures that it meets the needs of this wider audience through the use of different aspects of the radio. Radio 1 try to relate to all people of different genders, ethnicities, ages, regional identities and socio-economic groups. Within the particular show that we listened to, the Breakfast Show with Nick Grimshaw, he included elements of the show that would appeal to both males and females. For example, Nick Grimshaw included an interview with Freddie Flintoff, a cricketer, as well as his interview with Demi Lovato, to appeal to both a male and female audience. Male listeners may not want to listen to an interview with Demi Lovato, so they included something that they may want to listen to, so they do not feel as though their needs are being ignored. They also include sport news and football results so that males that are interested in football can have their needs addressed and met.

 Radio 1 also appeals to females through the interview of Demi Lovato, and the subjects that they talk about. For example, they talk about relationships, which may be more suitable for females to listen to rather than males, but it open to everyone to listen to also, so males and females do not have to conform to the typical stereotypes. The Breakfast Show with Nick Grimshaw also includes elements within his show that are suitable for people of different ethnicities, one of the main ones is the type of music that they play. They play a mixture of pop music but also some R&B music. R&B music may be associated with African-American culture, so may appeal to a wider audience, not just a White British audience from London. The music they play is also predominantly artists that come from or that are based in and around London. This keeps the music they play close to the listeners, and could make it more relatable for them to listen to, as it can be hard to relate to music that has not been recorded and produced in their hometown. Artists from the UK may also comment on experiences that the Radio 1 listeners have gone through, making it more relatable and more accessible for the audience. 

There are various strategies that Radio 1 have taken to maintain and grow audience levels with the target audiences. One way that they maintain their audience, and possibly help it to grow is the use of their games and competitions. For example, one of the games that they play within the breakfast show is called 'Celebrity Gamble'. A radio 1 listener has the opportunity to either choose Nick Grimshaw's song, or to gamble and choose a random celebrity's favourite song. This allows audiences to maintain listening to be in with a chance to be featured on Radio 1. Additionally to this, it may grow audiences as they may want to try and be featured also. They also hold competitions regularly, which would entice existing audiences to continue watching and may attract newer audiences so that they could win the competition. Relating to Young and Rubicam's model, this type of interaction with the audience would relate well with 'The Explorer' as they may want to become involved and discover what they could win if they were to enter the competition. They also try and include celebrity guests on every show if possible. Having celebrity guests on the show allow the show to become relatable with a younger audience and therefore maintain their target audience, which is people from the ages of 15 to 29. This also supports their remit, which is to inform, educate and entertain. The celebrity guest may inform viewers about their new product which will be available to buy for them, they may be invited on the show to educate about a serious topic that many listeners may have a direct relation to and could help them in some way. They will also entertain through the use of the conversation between Nick Grimshaw and themselves, as well as playing games and interacting directly with the audience. 

Another strategy that Radio 1 use to maintain and grow audience levels with the target audiences is through social media. Radio 1 breakfast show listeners have various different opportunities for social interactions. They are able to phone into the show directly and share stories, choose songs and enter competitions. They are also able to connect through their various different social media accounts. For example, if they were listening to the breakfast show, they could follow the breakfast show's twitter account but they could also follow Nick Grimshaw himself and tweet him something to get onto the show. Radio 1 have Facebook, Twitter, Instagram, Youtube and Tumblr. All of these social media platforms allow them to connect directly with the audience, and also engage other people to watch the show. This will gradually increase numbers and encourage people to listen to the Radio 1 Breakfast Show more often, therefore becoming regular listeners.

There are a few noticeable differences between Commercial Radio and Public Service Broadcasting (PSB). Commercial Radios are usually privately owned and rely on advertisements and sponsors to keep them running. For example, Radio X is a commercial radio, and it is a radio station that's target audience is mainly male, and includes content and advertisements that are aimed at men, as they know that this is their target audience and that men are the most likely gender to be listening to the show. For example, there is an advertisement for Strongbow and an advert for Greene King. These companies are being advertised on Radio X as they are aware that the predominant audience is male, and know that men are more likely to take notice of these adverts and buy the products advertised. This radio station could be seen as offensive to women due to the fact that it is advertised as a male radio station, and that there are no female presenters. A female audience may enjoy the music that they play, but may feel as though they are not welcome to listen to the radio stations due to the fact it is dominated by a male audience, and these products also direct themselves towards the male audience. Additionally, diversity is limited due to the fact that it is only aimed at one gender, and that the music generally consists of artists that a male audience would listen to. For example, Nirvana mainly had a male following. Show hosts are also only male, meaning a female audience may not be interested in listening to the show.

Public Service Broadcasters (PSB) are broadcasting services that are funded by the government, by non-profit organisations or funded by collecting a fee from the viewers. For example, BBC Radio 1 is a public service broadcaster that is funded through the BBC and through the collection of the TV license that people pay every year to access all BBC channels and platforms. They offer a wider range of programs as they are aware that because they are a public service broadcaster, this enables them to reach a wider audience and this means they will have to provide programs that meets everyone's individual needs. Radio 1 includes content for both male and female, whereas Radio X only includes content for a predominantly male audience. Public service broadcasting is more inclusive as it may be generating higher listening numbers from a variety of different people from different backgrounds. Radio 1 also include content for a wider audience, and not just for a specific type of person. This helps them to increase their following, but also helps to allow everyone to be included in the target audience.

Tuesday, 10 October 2017

Radio 1 Breakfast Show

Ofcom requirements
The communications regulator Ofcom requires that :
• All of the BBC's television and radio stations have a public service remit, including those that broadcast digitally.
• The BBC, whose broadcasting in the UK is funded by a licence fee and does not sell advertising time, is most notable for being the first public service broadcaster in the UK

• Their remit is to "inform, educate and entertain".

BBC trust
• “The remit of Radio 1 is to entertain and engage a broad range of young listeners with a distinctive mix of contemporary music and speech.
• Its target audience is 15-29 year olds and it should also provide some programming for younger teenagers.
• It should offer a range of new music, support emerging artists - especially those from the UK - and provide a platform for live music. News, documentaries and advice campaigns should cover areas of relevance to young adults.”


Uses & Gratifications Model

Information and Education – the viewer wants to acquire information, knowledge and understanding by watching programmes like The News or Documentaries.
Entertainment – Viewers watch programmes for enjoyment.
Personal Identity - Viewers can recognise a person or product, role models that reflect similar values to themselves and mimic or copy some of their characteristics.
Integration and social interaction – the ability for media products to produce a topic of conversation between people. For example who is the best contestant on The X-factor who which was the best goal shown on Match of the day.
Escapism – Computer games and action films let viewers escape their real lives and imagine themselves in those situations

The uses and gratifications theory assumes the audience chooses what it wants to watch for five different reasons.

Future of Radio 


In my opinion, the future of radio is finding new ways of connecting with a younger audience using interaction, as this will entice the audience to continue listening. Radio 1 give listeners the opportunity to watch certain parts of the radio show, which appeals to a younger audience. If more radio stations were to do this, it may encourage their target audience to both listen to and watch.


Cross-Cultural Consumer Characterisation model

A more useful audience segmentation model than the traditional ABC1 categorization.
It acknowledges the global nature of media audiences

Divides audiences into 7 types of consumer.
4 main categories are (MARS)

MAINSTREAMERS, ASPIRERS, REFORMERS, SUCCEEDERS
The other categories to be added to this are (ERS) EXPLORER RESIGNED STRUGGLER
It takes the following as consumer motivations: SECURITY, CONTROL, STATUS, INDIVIDUALITY, FREEDOM, SURVIVAL and ESCAPE
Clear links with Maslow.

Maslow's Hierarchy of Needs


Young and Rubicam 4C's Model:


I feel as though I fit loosely into the categories of the reformer, the explorer and the succeeder. This is because there are elements of all of these categories and characteristics of all of the categories that I could put myself in. For example, I believe that I am a reformer as I think I am socially aware to an extent, and I value my own independent judgement. I feel as though I am an explorer because I am keen to discover new things and most of the time I like to challenge myself, depending on what the challenge is. Additionally to this, I feel as though I am also a succeeder because I am a student and have to be organised and have a strong goal orientation.

Identify the content which reaches and addresses the needs of these audience segments.
How media industries target audiences through the content and appeal of media products and through the ways in which they are marketed, distributed and circulated.


BBC Radio 1 reaches and addresses the needs of various different audience segments with the content that they produced and distribute to the listeners. Radio 1 try to relate to all people of different genders, ethnicities, ages, regional identities and socio-economic groups. Within the particular show that we listened to, the Breakfast Show with Nick Grimshaw, he included elements of the show that would appeal to both males and females. For example, Nick Grimshaw included an interview with Freddie Flintoff, a cricketer, as well as his interview with Demi Lovato, to appeal to a predominant male audience, rather than just a female one. Male listeners may not want to listen to an interview with Demi Lovato, so they included something that they may want to listen to, so they do not feel as though their needs are being ignored. They also include sport news and football results so that males that are interested in football can have their needs addressed and met. Radio 1 also appeals to females through the interview of Demi Lovato, and the subjects that they talk about. For example, they talk about relationships, which may be more suitable for females to listen to rather than males, but it open to everyone to listen to also, so males and females do not have to conform to the typical stereotypes. 
The Breakfast Show with Nick Grimshaw also includes elements within his show that are suitable for people of different ethnicities, one of the main ones is the type of music that they play. They play a mixture of pop music but also some R&B music. R&B music may be associated with African-American culture, so may appeal to a wider audience, not just a White British audience from London.

In this particular Radio 1 show, the Breakfast Show with Nick Grimshaw, they are very engaging with their audience and play interactive games and hold competitions regularly. In my opinion, this would address the needs of The Explorer, one of the types of people from the Young and Rubicam 4C's model. The Explorer is a person within society that are interested in discovery and like to challenge themselves. The competitions may appeal to them, and may reach and address their needs for challenge, and will entice them to want to enter the competition and accept the challenge that radio 1 have indirectly given to them.

http://www.bbc.co.uk/news/entertainment-arts-36974767
http://www.nme.com/blogs/nme-blogs/mythbusting-radio-1-losing-500000-listeners-half-story-1971412

- Radio 1 is increasingly losing listeners, but it is because of how music is listened to, rather than the radio station being bad at their job.

- Worried because it seems they are failing to reach young people as an audience.

- The number of hours that 15-24 year-olds listen to radio has gone from 29 million hours in 2010 to 16 million in 2016.

- That young audience has dropped from 3.7 million (45%) to 2.9 million (36%).

- Nick Grimshaw’s Breakfast Show on BBC Radio 1 had lost 500,000 listeners in the space of a year - due to a generation gap and how people listen to their music has changed.

- Radio 1 trying new approaches: their youtube channel has over 1 billion views, making money from these videos. Younger audiences are engaging with radio stations via their social media, and not with the radio itself.

 - Radio 1 is suffering because its core audience is turning away from live radio, and turning to streaming sites for music, but are also able to watch clips of the radio show on Youtube, which is how younger people decide to engage with the radio, rather than listening to it live.

Audience

Radio 1 listener figures have suffered a decline in numbers under Nick Grimshaw, how much and in what year?
- Nick Grimshaw and BBC Radio 1 lost 500,000 listeners in the space of a year (between 2016 and 2017).

What was Demi Lovato promoting as part of her visit to R1?
Demi Lovato was promoting her new album that had recently been released, as well as announcing a documentary she is currently filming.

List at least 5 UK artists associated with the R1 Breakfast show, how do they meet the needs of the different audiences listening to the show.
- Adele (pop), Wolf Alice (indie/rock), Years & Years (pop/dance), Yungen (rap), Declan McKenna (indie). Radio 1 plays music that would suit most music taste and for a variety of different types of people. 

Technology

Discuss Why streaming is important for “millennials”.
- Streaming is important for millennials because this is how most music is now streamed. Young people are able to use streaming services such as Spotify, and they also may be able to listen to their favourite songs on Youtube. Nowadays, 'millennials' do not use radio as the number 1 way to listen to music, as the can now access it through other platforms.

Describe Radio 1’s” Listen, watch, share” strategy
- Listen is the most crucial element, with Radio 1 continuing to reach around 40% of all 15 to 24 year olds in the UK every week. Share informs both our social media activity and also the distinctive content that our production teams produce for our young audience. It has become a regular discipline to ask what element of a programme or event is shareable. Our listeners are an army of potential advocates, all with their own individual audience. So, we need to provide them with the content to spread amongst their networks. Which leaves Watch. Up to this point we at Radio 1 have focussed our visual efforts on YouTube. Our successes have been well documented in this area, not least being recognised by the Guinness Book of Records when we became the first radio station to hit a million subscribers. We currently sit at somewhere over 1.6 million subscribers, and our videos have a combined watch time of over a billion minutes.

How many You tube views are linked to Radio 1 Breakfast show.
- 1,366,412,955 views on the Radio 1 youtube channel altogether, with 4,036,271 subscribers.

List the social media platforms which Radio 1 are linked to R1.
- Facebook: https://www.facebook.com/bbcradio1/
- Twitter: @BBCR1 / @R1breakfast
- Instagram: @bbcradio1
- Tumblr: http://bbcr1.tumblr.com
- Youtube: https://www.youtube.com/user/bbcradio1
- Snapchat: bbc_radio1

Describe how Radio 1 Breakfast show’s video content e.g. Innuendo Bingo & Playground insults is helpful in marketing Radio 1.
- Video content on Radio 1, such as Innuendo Bingo and Playground Insults is helpful in marketing Radio 1 because this type of content is more suited and aimed towards young people. The use of comedy may entice a younger audience to listen to on the radio or watch on their youtube channel due to the fact they may understand this type of humour, whereas an older audience may not.

List the opportunities Radio 1 breakfast show listeners have for social interaction…  provide examples by following links to twitter and instagram.
- Radio 1 breakfast show listeners have various different opportunities for social interactions. They are able to phone into the show directly and share stories, choose songs and enter competitions. They are also able to connect through their various different social media accounts. For example, if they were listening to the breakfast show, they could follow the breakfast show's twitter account but they could also follow Nick Grimshaw himself and tweet him something to get onto the show. 




Name the competitions run by the breakfast show which allow for social interaction, discuss the content of the competition/call in and describe why this might be important for maintaining audience numbers.
- They have a variety of different competitions running throughout the year, but most of them relate to winning 

Radio X

Use GEARS to define the Radio X audience
- Male, 25-44 years old, Working class, White British, 

How is this reflected in the type of hosts used
- They use male hosts to bring in the male audience. Presenters such as Johnny Vaughan, Chris Moyles, Ricky Wilson and Vernon Kay. All of these presenters are white, british men which may attract an audience of the same ethnicity. They are all within the audience age range and they do not particularly present themselves as 'posh' people, or people from a middle or higher class background.

What is the impact of  Chris Moyles in joining the radio station
- Before he became a presenter on radio X, he was the presenter of the Radio 1 breakfast show. This may resonate with a slightly older audience that remember him on this breakfast show and with people who used to listen to it regularly. If they remember his breakfast show on Radio 1, they may want to move over to radio X to listen to his show on there, and see if it is similar to his time on radio 1, or if they enjoy the show itself.

What kind of adverts are shown, how does this suit the demographic
- The adverts shown on Radio X are mainly directed to a male audience, as this is most likely the gender listening to this particular radio station. For example, there is an advertisement for Strongbow and an advert for Greene King. These companies are being advertised on Radio X as they are aware that the predominant audience is male

Is the Radio station likely to be offensive to certain groups
- This radio station could be seen as offensive to women due to the fact that it is advertised as a male radio station, and that there are no female presenters. A female audience may enjoy the music that they play, but may feel as though they are not welcome to listen to the radio stations due to the fact it is dominated by a male audience, and these products also direct themselves towards the male audience.

In what way is diversity limited as evident in the show hosts and type of music aired.
- Diversity is limited due to the fact that it is only aimed at one gender, and that the music generally consists of artists that a male audience would listen to. For example, Nirvana mainly had a male following. Show hosts are also only male, meaning a female audience may not be interested in listening to the show.

Consider the Radio 1 Breakfast show in what way is PSB broadcastng a more inclusive environment compared to Radio X?
- Radio 1 includes content for both male and female, whereas Radio X only includes content for a predominantly male audience. Public service broadcasting is more inclusive as it may be generating higher listening numbers from a variety of different people from different backgrounds.